Friday 27 January 2012

What do u see !?


A photo posted by Beautiful Planet Earth (Facebook page) that has been shared by my friends which made me curious to click into it and see what is the photo actually mean......all this while, I been having my own perception of this photo which I thought the cause of misty KL- is from the chinese prayers during chinese new year ! and i keep wondering why the others are posting such thing ?! I even thought the beautiful planet earth page was like a sarcasm page name of our behavior... 
But after clicking into it, I only realised is actually praising of the shot itself from that angle......
Well, I wonder what others point of view then !? 

What architecture student do in a day?

This video is make by barlett architecture student, I found it is a quite funny way to elaborate how a architecture student daily routine.Really appreciate their hardwork!

Saturday 21 January 2012

Point No. 2,3,4,5,15 and 34 is specially pick for each an everyone of you.
Point No. 7,10,16 and 17 is for you as a class.
Point No 24 is kinda my favorite... :D


An incomplete manifesto for growth - BRUCE MAU


1.
Allow events to change you. You have to be willing to grow.

Growth is different from something that happens to you. You produce

it. You live it. The prerequisites for growth: the openness to experience

events and the willingness to be changed by them.


2.
Forget about good. Good is a known quantity. Good is what we

all agree on. Growth is not necessarily good. Growth is an exploration of

unlit recesses that may or may not yield to our research. As long as you

stick to good you’ll never have real growth.


3.
Process is more important than outcome. When the

outcome drives the process we will only ever go to where we’ve

already been. If process drives outcome we may not know where we’re

going, but we will know we want to be there.


4.
Love your experiments (as you would an ugly child).

Joy is the engine of growth. Exploit the liberty in casting your work as

beautiful experiments, iterations, attempts, trials, and errors. Take the long

view and allow yourself the fun of failure every day.


5.
Go deep. The deeper you go the more likely you will discover

something of value.


6.
Capture accidents. The wrong answer is the right answer in

search of a different question. Collect wrong answers as part of the

process. Ask different questions.


7.
Study. A studio is a place of study. Use the necessity of production

as an excuse to study. Everyone will benefit.


8.
Drift. Allow yourself to wander aimlessly. Explore adjacencies. Lack

judgment. Postpone criticism.


9.
Begin anywhere. John Cage tells us that not knowing where to

begin is a common form of paralysis. His advice: begin anywhere.


10.
Everyone is a leader. Growth happens. Whenever it does,

allow it to emerge. Learn to follow when it makes sense. Let anyone

lead.


11.
Harvest ideas. Edit applications. Ideas need a dynamic, fluid,

generous environment to sustain life. Applications, on the other hand,

benefit from critical rigor. Produce a high ratio of ideas to applications.


12.
Keep moving. The market and its operations have a tendency to

reinforce success. Resist it. Allow failure and migration to be part of your

practice.


13.
Slow down. Desynchronize from standard time frames and

surprising opportunities may present themselves.


14.
Don’t be cool. Cool is conservative fear dressed in black. Free

yourself from limits of this sort.


15.
Ask stupid questions. Growth is fueled by desire and

innocence. Assess the answer, not the question. Imagine learning

throughout your life at the rate of an infant.


16.
Collaborate. The space between people working together is

filled with conflict, friction, strife, exhilaration, delight, and vast creative

potential.


17.
——————————. Intentionally left blank. Allow space for

the ideas you haven’t had yet, and for the ideas of others.


18.
Stay up late. Strange things happen when you’ve gone too far,

been up too long, worked too hard, and you’re separated from the rest

of the world.


19.
Work the metaphor. Every object has the capacity to stand for

something other than what is apparent. Work on what it stands for.


20.
Be careful to take risks. Time is genetic. Today is the child of

yesterday and the parent of tomorrow. The work you produce today

will create your future.


21.
Repeat yourself. If you like it, do it again. If you don’t like it, do it

again.


22.
Make your own tools. Hybridize your tools in order to build

unique things. Even simple tools that are your own can yield entirely new

avenues of exploration. Remember, tools amplify our capacities, so even

a small tool can make a big difference.


23.
Stand on someone’s shoulders. You can travel farther

carried on the accomplishments of those who came before you. And

the view is so much better.


24.
Avoid software. The problem with software is that everyone

has it.


25.
Don’t clean your desk. You might find something in the

morning that you can’t see tonight.


26.
Don’t enter awards competitions. Just don’t. It’s not

good for you.


27.
Read only left-hand pages. Marshall McLuhan did this. By

decreasing the amount of information, we leave room for what he called

our “noodle.”


28.
Make new words. Expand the lexicon. The new conditions

demand a new way of thinking. The thinking demands new forms of

expression. The expression generates new conditions.


29.
Think with your mind. Forget technology. Creativity is not

device-dependent.


30.
Organization = Liberty. Real innovation in design, or any

other field, happens in context. That context is usually some form of

cooperatively managed enterprise. Frank Gehry, for instance, is only able

to realize Bilbao because his studio can deliver it on budget. The myth

of a split between “creatives” and “suits” is what Leonard Cohen calls a

‘charming artifact of the past.’


31.
Don’t borrow money. Once again, Frank Gehry’s advice. By

maintaining financial control, we maintain creative control. It’s not exactly

rocket science, but it’s surprising how hard it is to maintain this discipline,

and how many have failed.


32.
Listen carefully. Every collaborator who enters our orbit brings

with him or her a world more strange and complex than any we could

ever hope to imagine. By listening to the details and the subtlety of their

needs, desires, or ambitions, we fold their world onto our own. Neither

party will ever be the same.


33.
Take field trips. The bandwidth of the world is greater than that

of your TV set, or the Internet, or even a totally immersive, interactive,

dynamically rendered, object-oriented, real-time, computer graphic–

simulated environment.


34.
Make mistakes faster. This isn’t my idea — I borrowed it. I

think it belongs to Andy Grove.


35.
Imitate. Don’t be shy about it. Try to get as close as you can. You’ll

never get all the way, and the separation might be truly remarkable.

We have only to look to Richard Hamilton and his version of Marcel

Duchamp’s large glass to see how rich, discredited, and underused

imitation is as a technique.


36.
Scat. When you forget the words, do what Ella did: make up

something else … but not words.


37.
Break it, stretch it, bend it, crush it, crack it, fold it.


38.
Explore the other edge. Great liberty exists when we avoid

trying to run with the technological pack. We can’t find the leading edge

because it’s trampled underfoot. Try using old-tech equipment made

obsolete by an economic cycle but still rich with potential.


39.
Coffee breaks, cab rides, green rooms. Real growth

often happens outside of where we intend it to, in the interstitial spaces

— what Dr. Seuss calls “the waiting place.” Hans Ulrich Obrist once

organized a science and art conference with all of the infrastructure of

a conference — the parties, chats, lunches, airport arrivals — but with

no actual conference. Apparently it was hugely successful and spawned

many ongoing collaborations.


40.
Avoid fields. Jump fences. Disciplinary boundaries and

regulatory regimes are attempts to control the wilding of creative life.

They are often understandable efforts to order what are manifold,

complex, evolutionary processes. Our job is to jump the fences and

cross the fields.


41.
Laugh. People visiting the studio often comment on how much we

laugh. Since I’ve become aware of this, I use it as a barometer of how

comfortably we are expressing ourselves.


42.
Remember. Growth is only possible as a product of history.

Without memory, innovation is merely novelty. History gives growth a

direction. But a memory is never perfect. Every memory is a degraded

or composite image of a previous moment or event. That’s what makes

us aware of its quality as a past and not a present. It means that every

memory is new, a partial construct different from its source, and, as such,

a potential for growth itself.


43.
Power to the people. Play can only happen when people

feel they have control over their lives. We can’t be free agents if we’re

not free.

Friday 20 January 2012

"Green has the capacity of reducing all that matters to one single problem, and one single solution: Green."....Beatriz Ramo

I say, don't fall into the trap.

Know what sustainability is, and know what green architecture is.

If it means something to you, then adopt it with a full understanding of what it means. If it doesnt, just leave it aside. You can still have garden on your roof.

The wrong usage of word, can cause a wrong understanding of its meaning, and a wrong adaptation and all the subsequently wrongs.... so be careful.

....There is no need to be trendy all the time....

O’ Mighty Green by Beatriz Ramo

adapted from :
http://www10.aeccafe.com/blogs/arch-showcase/2011/06/27/o-mighty-green-by-beatriz-ramo/
 
June 27th, 2011 by Anand Gangal
Article Source: Beatriz Ramo

All Images

Sustainability currently shares many qualities with God; supreme concept, omnipotent, omnipresent, and omniscient; creator and judge, protector, and (…) saviour of the universe and the humanity. And, like God, it has millions of believers. Since weWwW humans are relatively simpleminded and suspicious and need evidence before belief can become conviction, Green has come to represent sustainability; has become its incarnation in the human world. But sustainability, like God, might not have a form, nor a colour…

Eco-Pantheon, Rome 126AD

Project: Green
Concept Artists:STAR Strategies + Architecture
STAR is a practice dealing with architecture in all its forms.
STAR strategies + architecture was founded by Beatriz Ramo (1979, Spain) in Rotterdam in 2006. STAR is interested in all topics directly or indirectly related to architecture, and works on projects and research of any scale in the fields of architecture, urbanism, and landscape design. Several awards in International Competitions for public buildings, housing, infrastructure, and urban planning in the Netherlands, China, Iceland, Lebanon, and Spain STAR have gained STAR international recognition. STAR remains continuously active in research and writings and is engaged academically to several schools and institutions in the Netherlands.


1. Emancipation
In a desperate attempt to give shape to an all-encompassing ideology the Green proves to work as the quickest and easiest representation of sustainability. The Green is the only symbol able to keep pace with today’s lack of patience and hunger for images; a Lady Gaga-Sustainability: effective, noticeable, creative, sensationalist. In a persistent effort to become the allegory of Sustainability, Green has been emancipated as its caricature.
Sustainable Concentration Camp Auschwitz I, 1940


2. Function
If the Iconic buildings simply needed to be iconic, the Green buildings simply need to be greenGreen as a function. Green allows sustainability to be bought per m2, or to be painted on, or glued on. Sustainability is a Photoshop filter in CS6: Ctrl+Green.
Sustainable Cenotaph for Isaac Newton – BoullĂ©e, 1784


3. Style
Modernism, Postmodernism, Deconstructivism… We have now definitely entered Sustainabilism. Unlike in previous movements every architect can be a Sustainabilist: whether avant-garde, commercial, young, established… It can be even combined with other styles: Eco-Deconstructivism … Architectural magazines and commercial brochures found a common language: the GreenGreen is also the point on which the architect, the client, the developer, the politician, and the user agree. For the first time ever we have a genuine International Style.
-Green buildings can be Ducks or Decorated sheds, and there are some interesting cases of being both at the same time: the Decorated Ducks.
-Green should be added as the sixth principle to Le Corbusier’s five points, and as the fourth quality to Vitruvius’ triad: Venustas, Utilitas, Firmitas and Sustinebilitas
-The built … product of Sustainability is not sustainable architecture but GreenGreen is what remains after Sustainability has run its course or, more precisely, what coagulates while Sustainability is in progress, its fallout… *Taken from Junkspace by R. Koolhaas
-Green is the new Black.
Eco-friendly Villa La Rotonda, Vicenza – Palladio, 1566


4. Religion
-Green works as faith. Saint Green will watch over the sustainable architects, and will guide them in the Green direction.
-Green works as confession. The guiltier we feel, the greener we try. The green-looking is usually indirectly proportional to its sustainability achievements. Green has the capacity of reducing all that matters to one single problem, and one single solution: Green.
-Green is double-miraculous. As if trying to heal cancer with aspirins, Green is the phenomenal formula that turns sustainable everything that it touches. It can also hide graceless designs. Ugly Green buildings are more readily accepted than ugly buildings.

Eco-friendly Villa Savoya, Poissy – Le Corbusier, 1929


5. Ambiguity
But the Green also hides a perverse dimension… As in a David Lynch movie; everything appears to be calm and harmonious but there is something disturbing… rotting… TheGreen is the common lie, the secret consensus, the perfect crime; everybody knows that it cannot be that good, that it cannot be that easy, but why bother? It sells, and there is enough Green for everybody.

Il Monumento Continuo e Sostenibile, NewYork
Berlin Eco-Wall, 1989
Environmentally Friendly Nuclear Power Plant, Dukovany
© STAR strategies + Architecture, 2011

Thursday 19 January 2012

more about the workshop



Only registered participants will be updated on what is happening,
If there would be less than required participants, this workshop will be cancelled at any time.

Saturday 14 January 2012

Minimalist effect in the Maximalist Market

Here's a webpage i find their design is quite cool....
Like what the title has said, 'the Designers Antrepo have created conceptual packaging design for well-known supermarket products by stripping back the existing graphics in stages'

They even ask the reader which choice they will pick. So, what's yours ? :D

What is your choice in these 3 different variations?
1. Original variation
2. Simple variation
3. More simple variation



Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo

Minimalist Effect in the Maximalist Market by Antrepo



For more design from the designer : http://www.antrepo4.com/

Monday 2 January 2012

Happy New Year !!!

Hmm... is still a bit quiet here ~ but never mind,  still wishing u all

Happy New Year ~ enjoy the holidays we left ~ ;]